At least, I think it's Michael Jackson, since Brown and Hammer are too intimidated to utter the King of Pop's name and settle for repeated glove references and sledgehammer-subtle emphasis of the word "thrill." Instead, Hammer has been training to take down the only man he views as a triple threat when it comes to dancing, singing, and lighting millions of dollars on fire for the sake of a music video: Michael Jackson. He was 2 Legit 2 Quit, and anyone that thought otherwise is an idiot. There, Hammer reveals that it was all a ploy. & amp amp amp amp amp amp amp amp amp amp lt img src="" alt="" /& amp amp amp amp amp amp amp amp amp amp gt Īfter working up the deep, cleansing sort of sweat only possible in pitch-black conditions, a seemingly retired Hammer is more than ready for the next step in his journey: a visit to the definitely haunted mansion of James Brown, the godfather of repeating his own song titles like a malfunctioning animatronic robot powered by domestic violence. That Hammer took this opportunity, which also marks the beginning of his downward trajectory as a pop entity, to assail audiences with a lengthy tapestry of barely-related cameos, overblown CGI, and his messianic importance leaves us with a curious document of a man transforming from legend to punchline before our very eyes. With social media nonexistent and information not oozing uncontrollably through every available screen, the music video would have been one of the chief ways musicians shaped how audiences viewed them. In addition to the said melting of our collective brains, the video is an insight into Hammer himself. The result is a truly epic 15-minute thrill ride that cost a whopping $4.2 million in today's dollars (last year's Boyhood cost $4 million and was 2.5 hours longer) and is guaranteed to melt your brain. Like a parachute pant-clad George Orwell, Hammer used the video for the not-quite-titular "2 Legit 2 Quit" to take us to a dystopian world where Hammer was, in fact, capable of quitting. This showed the more horrorcore side of MC Hammer.In 1991, with 14.5 million sales of the previous year's Please Hammer, Don't Hurt 'Em under his elastic band, MC Hammer dropped the MC from his name and released Too Legit to Quit, a blistering response to a question that no one had asked. In a way, Gaining Momentum was the follow-up to U Can’t Touch This.Īddams Groove was another moderately successful song on this album that spawned off into a single.
MC Hammer was gaining momentum and getting hype with this song despite it not actually being a since. The message of this song was to dance and express yourself. With little bit of time he’ll turn it out. MC Hammer explains how the music has got him moving as he wants to party.
Gaining Momentum is a hip hop and dance combination where the sounds of hip hop/rap meet dance music.
2 Legit 2 Quit was the follow-up to U Can’t Touch This along with Gaining Momentum. He is kickin’ it at the top ’cause he is too legit to quit. MC Hammer went than he ever did before over 90s style dance beats and dance pattern. MC Hammer explains why he is too legit to quit on the hyper uptempo dance rap song 2 Legit 2 Quit. This album incorporated pop and new jack swing over catchy lyricism.
Mc hammer 2 legit 2 quit movie movie#
2 Legit 2 Quit and Addams Groove were some of the moderately successful singles off the album that managed to keep his name alive in the music industry and movie industry. The single 2 Legit 2 Quit was the only reason why this album went 2x times platinum in the United States. MC Hammer – Too Legit to Quit was the follow-up album to Please Hammer Don’t Hurt ’Em that Capitol Records and everyone else expected to be more successful than Please Hammer Don’t Hurt ’Em only to become a sophomore jinx selling only 3 million units.
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